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Xandria - Sacrificium (Limited Edition) (2014)
vom: 15.07.2015
Downloads:
1727
Hochgeladen um:
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Öffentlicher Name:
eRaZEr
Format:
mp3
Beschreibung:
Xandria_-_Sacrificium-2CD-Ltd.Ed._Digipak-2014-MCA_int [img(width=316 height=60)]links/images/splogo.jpg[/img] [img(width=275 height=86)]links/images/zslogo.png[/img]
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ΪΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΏ ³ώ ώ³ ³ .-/ .-. ³ ³ _.-~ / ___ | ~-._ ³ ³ \:/ -~| / __/| .\:/ ³ ³ / || (:/:| \ ³ ³ / /\/| |:\___\| |\ \ ³ ³ / /:::|.::/:::/:.|:\ \ ³ ³ / /:::/ \\/:::/::/:::\ \ ³ ³ / .::\ \-~~~~-/\/:.. \ ³ ³ /..:::::\ /:::::..\ ³ ³ /::::::::- -::::::::\ ³ ³ \:::::-~ ~-:::::/ ³ ³ \:-~ ~-:/ ³ ³ METAL CLASSICS ARCHIVE ³ ³ ³ ³ ³ ³ ³ ³ P R E S E N T S ³ ³ ³ ³ ³ ³ + Xandria - Sacrificium + ³ ³ ³ ³ ³ ³ΙΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Release Information Ί ³ ³ΜΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΚΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Ί ³ ³Ί Release Date.Jul-12-2015 Encoder......L3.97 -V2 --vbr-new Ί ³ ³Ί Genre........Metal Graber.......EAC Ί ³ ³Ί Year.........2014 Khz/Bitrate..44,1/ Br Ί ³ ³Ί Ί ³ ³Ί Ripper.......anthem Songs........cd1: 12 cd2: 13 Ί ³ ³Ί Covers.......Yes Url... www.xandria.de Ί ³ ³Ί Ί ³ ³ΘΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΌ ³ ³ ³ ³ ³ ³ ³ ³ΙΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Release Notes Ί ³ ³ΜΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΚΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Ί ³ ³Ί Artist : Xandria Rating : You Decide! Ί ³ ³Ί Album : Sacrificium Label : Napalm Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³ΜΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΉ ³ ³Ί Ί ³ ³Ί Description : Ί ³ ³Ί Ί ³ ³Ί A couple years ago a littler known symphonic Ί ³ ³Ί metal outfit hailing from Germany decided to put Ί ³ ³Ί Tuomas Holopainen on notice about a sound that Ί ³ ³Ί he'd long forgotten how to create. Then, about Ί ³ ³Ί as quickly as they had broken their own mold Ί ³ ³Ί with the powerful Neverworld's End, Xandria Ί ³ ³Ί seemed to be destined to an early fall with the Ί ³ ³Ί loss of their gifted dramatic soprano front Ί ³ ³Ί woman Manuela Kraller, reminiscent of the Ί ³ ³Ί similar fate that befell their inspiration Ί ³ ³Ί Nightwish back in the mid 2000s with the exit of Ί ³ ³Ί Tarja Turunen. However, history can prove to be Ί ³ ³Ί an invaluable teacher, and it appears that Marco Ί ³ ³Ί Heubaum was doing his homework as he didn't fall Ί ³ ³Ί into the trap of trying to revamp a working Ί ³ ³Ί formula and found another winning dramatic voice Ί ³ ³Ί in Dianne van Giersbergen, who is also quite Ί ³ ³Ί similar in vocal timbre and range to that of the Ί ³ ³Ί much emulated Tarja. Ί ³ ³Ί Ί ³ ³Ί For all the fairly different imagery depicted on Ί ³ ³Ί Sacrificium, this is an album that exemplifies Ί ³ ³Ί that age-old truism of not messing with a Ί ³ ³Ί winning formula. Naturally there has been some Ί ³ ³Ί tinkering around the edges in terms of the Ί ³ ³Ί album's flow and pacing, but the same stylistic Ί ³ ³Ί devices of simple driving guitar riffs, massive Ί ³ ³Ί orchestral sounds, and a well-balanced mixture Ί ³ ³Ί of haunting dissonance and somber beauty has Ί ³ ³Ί remained constant almost to a fault. Some of Ί ³ ³Ί this tinkering presents itself in a slightly Ί ³ ³Ί greater concentration of guitar elements that Ί ³ ³Ί point towards more of an Epica influence, though Ί ³ ³Ί Marco's riff approach still remains closer to Ί ³ ³Ί the support-role character of Emppu's work with Ί ³ ³Ί Nightwish rather than morphing into a galloping Ί ³ ³Ί semi-thrashing character befitting of Mark Ί ³ ³Ί Jansen. It's all a matter of degrees and this Ί ³ ³Ί still sticks pretty close to home. Ί ³ ³Ί Ί ³ ³Ί At first listen, there is a temptation to view Ί ³ ³Ί this album as being a bit more intense than its Ί ³ ³Ί predecessor, and there is some truth to this. On Ί ³ ³Ί the more extreme end of things on this album is Ί ³ ³Ί "Betrayer", which takes far further strides Ί ³ ³Ί towards thrashing it up in the riff department, Ί ³ ³Ί and even takes an occasion to throw in a nice Ί ³ ³Ί chaotic blast section, clearly eclipsing the Ί ³ ³Ί otherwise aggressive character of "Soulcrusher", Ί ³ ³Ί the equivalent song from the previous album. Ί ³ ³Ί Likewise, this album opens things up on a Ί ³ ³Ί particularly auspicious note with a massive 10 Ί ³ ³Ί minute plus epic of a title song, incorporating Ί ³ ³Ί the same sort of nuanced interplay between piano Ί ³ ³Ί driven balladry and rapid paced symphonic power Ί ³ ³Ί metal majesty that would go with a classic Ί ³ ³Ί Nightwish epic such as "Beauty Of The Beast" and Ί ³ ³Ί "FantasMic", but presented in a manner more Ί ³ ³Ί along the lines of a darker, heavier anthem off Ί ³ ³Ί of Once. Ί ³ ³Ί Ί ³ ³Ί If there is a way of truly differentiating this Ί ³ ³Ί album from its predecessor, it would be by Ί ³ ³Ί taking note of the heavier degree of power metal Ί ³ ³Ί elements at play than before, to the point of Ί ³ ³Ί mirroring what was heard on Wishmaster and Ί ³ ³Ί Decipher. Particularly when noting the heavier Ί ³ ³Ί degree of more driving, up tempo numbers like Ί ³ ³Ί "Until The End", "Stardust", and "Little Red Ί ³ ³Ί Relish", all of which almost want to cross over Ί ³ ³Ί into Rhapsody Of Fire territory and definitely Ί ³ ³Ί point to that wondrous marriage of Danny Elfman Ί ³ ³Ί styled lullaby symphonic devices with up tempo Ί ³ ³Ί metallic cruising. Be this as it may, there are Ί ³ ³Ί still plenty of nods to the same sort of mid Ί ³ ³Ί 2000s character that was all over Neverworld's Ί ³ ³Ί End, with the most obvious example being the Ί ³ ³Ί down-tempo homage to Nightwish's "Nemo" that is Ί ³ ³Ί "Dreamkeeper", which actually manages to be a Ί ³ ³Ί bit more formulaic and catchy than the former, Ί ³ ³Ί yet also better given the superior production Ί ³ ³Ί job and balance of instruments into a more Ί ³ ³Ί harmonious whole. Ί ³ ³Ί Ί ³ ³Ί In spite of losing a very charismatic and Ί ³ ³Ί competent lead vocalist, Xandria have actually Ί ³ ³Ί managed to maintain their hold on musical Ί ³ ³Ί greatness here and also proved that provided a Ί ³ ³Ί similar sound is maintained, that it's the Ί ³ ³Ί compositional element that truly makes or breaks Ί ³ ³Ί a band. This is the sort of album that will find Ί ³ ³Ί an all too welcoming home amongst fans of female Ί ³ ³Ί fronted symphonic metal, and is actually a cut Ί ³ ³Ί above most of what's been coming out of the Ί ³ ³Ί older guard in the past few years. The jury is Ί ³ ³Ί still out on what kind of sound Nightwish will Ί ³ ³Ί come up with having Floor Jansen at the helm, Ί ³ ³Ί but if they want to get some good ideas about Ί ³ ³Ί where to aim, they would be advised to look Ί ³ ³Ί where Xandria has been for the past 2 years. Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³ΘΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΌ ³ ³ ³ ³ ³ ³ ³ ³ΙΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Release Tracklist Ί ³ ³ΘΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΚΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ ³ ³ ³ ³ - CD1 [ ] ³ ³ - [ ] ³ ³ 01 - sacrificium [10:07] ³ ³ 02 - nightfall [03:56] ³ ³ 03 - dreamkeeper [04:36] ³ ³ 04 - stardust [05:33] ³ ³ 05 - the undiscovered land [07:22] ³ ³ 06 - betrayer [06:07] ³ ³ 07 - until the end [05:39] ³ ³ 08 - come with me [04:56] ³ ³ 09 - little red relish [04:32] ³ ³ 10 - our neverworld [03:46] ³ ³ 11 - temple of hate [05:50] ³ ³ 12 - sweet atonement [04:14] ³ ³ - [ ] ³ ³ - CD2 [ ] ³ ³ - [ ] ³ ³ 01 - the watcher [04:49] ³ ³ 02 - sacrificium (instrumental) [10:05] ³ ³ 03 - nightfall (instrumental) [03:57] ³ ³ 04 - dreamkeeper (instrumental) [04:38] ³ ³ 05 - stardust (instrumental) [05:33] ³ ³ 06 - the undiscovered land (instrumental) [07:23] ³ ³ 07 - betrayer (instrumental) [06:07] ³ ³ 08 - until the end (instrumental) [05:39] ³ ³ 09 - come with me (instrumental) [04:57] ³ ³ 10 - little red relish (instrumental) [04:34] ³ ³ 11 - our neverworld (instrumental) [03:46] ³ ³ 12 - temple of hate (instrumental) [05:51] ³ ³ 13 - sweet atonement (instrumental) [04:14] ³ ³ ³ ³ Total Length : [138:1] min ³ ³ ³ ³ ³ ³ άάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάά ³ ³ ³ ³ ³ ³ ³ ³ ΙΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³ Ί Greetings To: Ί ³ ³ ΘΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΌ ³ ³ ³ ³ Too all people who contributes to make this ³ ³ archive of good music in a exceptional conditions ³ ³ ³ ³ ³ ³ ³ ³ώ ώ³ ΐΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΩ
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