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The Weeknd - Hurry Up Tomorrow (2025)

vom: 08.06.2025

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canna

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mp3

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NFO:

��

Musical Over Dose
                is proud to present
                Since January 2002

another new release, have fun

.: about release :.

Name       .:. The Weeknd - Hurry Up Tomorrow

Genre       :  Pop
      Source      :  CDDA
      Type       .:. Album

Artist      :  The Weeknd
      Label       :  Republic (Universal Music)
      Titel       :  Hurry Up Tomorrow

Tracks      :  11
      Playtime    :  41:16
      Size        :  80,60 MB

Encoder     :  VBRNEW - LAME3.100 - V0
      Quality     :  VBR kbps / 44.1kHz / Joint-Stereo
      Bitrate     :  avg. 271kbps

[ Tracklist ]

01.The Crowd                                             04:52
            02.Cry For Me                                            03:47
            03.Sao Paulo                                             05:03
            04.How It Feels                                          02:56
            05.Take Me Back To La                                    04:27
            06.The Abyss                                             03:09
            07.Open Hearts                                           03:29
            08.Timeless                                              04:16
            09.Africa                                                03:22
            10.Runaway                                               03:20
            11.Red Terror                                            02:35

Total  41:16 Min

�All I have is my legacy,� Abel Tesfaye sings over
      the funereal opening bars of �Wake Me Up�. Produced
      by French electronic pioneers Justice, it�s a
      scene-setting moment for what, it soon emerges, is
      the Canadian artist�s most ambitious project to date
      � a feature film-length album that supposedly serves
      as the final chapter for his enigmatic alter ego The
      Weeknd. Later this year, he�ll star opposite
      Wednesday actor Jenna Ortega and Saltburn�s Barry
      Keoghan in an actual feature film inspired by this
      record � a psychological thriller underpinned by his
      restless, sprawling score.

A noted cinephile, Tesfaye has always incorporated
      film influences into his work. His debut album,
      2013�s culture-shifting Kiss Land, tapped into the
      kind of jittery, menacing paranoia that directors
      such as John Carpenter or David Cronenberg made
      their calling card. Hurry Up Tomorrow�s predecessor,
      2022�s Dawn FM, enlisted Jim Carrey as a creepy
      radio host and borrowed the tagline of 1987�s Less
      Than Zero (�It only looks like the good life�) for
      his track of the same name.

Hurry Up Tomorrow, though, is the first album of
      Tesfaye�s that actually feels like a movie, scored
      by his trademark maelstrom of electronic and R&B.
      The third and final instalment of his After Hours
      �trilogy�, it has supporting characters (Brazilian
      superstar Anitta, Florence and the Machine, rappers
      Future, Travis Scott and Playboi Carti), props (the
      abrupt ring of a telephone and rattle of ice in a
      whisky glass on �Reflections Laughing�), and a
      character arc that casts Tesfaye in his preferred
      role: the brooding, mysterious anti-hero.

The 34-year-old has previously suggested Hurry Up
      Tomorrow was inspired, in part, by a traumatic
      incident that took place in 2022. Emerging onstage
      in Inglewood, California, he called out to the
      crowd: �Hey, Los Angeles!� His voice cracked. When
      Tesfaye tried to sing his next line, nothing came
      out. Footage of the moment shows the stunned artist,
      looking close to tears as his fans erupted into
      their own howls of dismay. The show was cancelled.
      Those screams can be heard here in the transition
      from a brief interlude (�I Can�t F***ing Sing�) into
      the juddering �S„o Paulo�, likely inspired by last
      year�s triumphant live-streamed stadium show in
      Brazil.

Half the time, you don�t know if Tesfaye is singing
      to a lover or personifying his tricky relationship
      with fame, that cruel mistress. �Are you real or are
      you an illusion?/ Cos I feel your love�s my
      delusion,� he asks on �Wake Me Up�, then, on
      �Reflections Laughing�, alludes to the pressure on
      his shoulders: �I won't make a sound/ Blood on the
      ground/ When they take my crown/ If they take my
      crown.�

Though born and raised in the Toronto suburbs by his
      mother and grandmother, Tesfaye has always seemed
      magnetised by the dark allure of Los Angeles � its
      hypocrisies, its vanity, its strangeness. He delayed
      the album�s release due to the recent wildfires,
      with proceeds from the track �Take Me Back to LA�
      going towards a charity providing emergency food
      assistance to those affected.

The song in question nods again to that doomed
      Inglewood show (�my voice cracking when we scream�).
      It�s certainly deliberate that his voice, with its
      Michael Jackson-influenced melisma, is at its most
      supple. Meanwhile, Tesfaye seems to yearn for those
      early House of Balloons days of releasing mix-tapes
      from a place of anonymity: �Take me back to a place/
      Where the snow would fall on my face/ And I miss my
      city lights/ I left too young.�

The transitions here are remarkable; skipping a
      single track feels akin to jumping three chapters in
      a novel. The Giorgio Moroder-indebted synths of
      �Take Me Back to LA� melt into, well� Giorgio
      Moroder on the synths for �Big Sleep�. Tesfaye
      pushes the pedal down on �Drive� and sends himself
      plummeting into �The Abyss�, an ornate flurry of
      glissando piano notes that fall like the snow of his
      beloved Toronto. Fast-forward and you risk missing a
      surprise cameo, from Lana Del Rey�s spectral cries
      to the gorgeous sample of Nina Simone�s �Wild is the
      Wind� on �Given Up on Me�.

It would be easy to dismiss this album as indulgent
      � particularly after Tesfaye gave everyone the
      collective ick in HBO�s ludicrous misfire of a
      series The Idol � but Hurry Up Tomorrow is
      impressive for its ambition alone. So many pop stars
      in Tesfaye�s multi-billion-streaming, Grammy-
      winning, stadium-selling position would have tried
      to placate fans with an album stuffed full of
      ready-made hits.

�Fame is a disease,� he declares on �Drive�, having
      earlier confessed: �I just wanna die when I�m at my
      f***ing peak.� By the title track, closing out the
      album on brighter (still Eighties-coded) piano
      chords, he sounds resolved: �So burn me with your
      light/ I have no more fights left to win.� Then, a
      truly startling moment as Tesfaye offers the most
      personal lyrics of his career to date: �I took so
      much more than their lives/ They took a piece of me/
      And I've been tryin� to fill that void that my
      father left/ So no one else abandons me, I�m sorry.�
      If this truly is the last Weeknd album, you could
      hardly hope for a better finale. Roll credits.

https://www.theweeknd.com

��

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