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Ange - Caricatures (1972)
vom: 12.08.2025
Downloads:
45
Hochgeladen um:
15:18:46
Öffentlicher Name:
Mamami
Format:
mp3
Beschreibung:
[img]links/images/splogo.jpg[/img] [center][url=https://postimages.org/][img(width=500 height=495)]https://i.postimg.cc/1Xpc572k/000.jpg[/img][/url][/center] Progressiverock Formed by brothers Christian DÉCAMPS (vocals) and Francis DÉCAMPS (keyboards) and later joined by guitarist Jean-Michel Brézovar, bassist Daniel Haas and Gérard Jelsh on drums, this French symphonic progressive rock band, similar to contemporaries such as Genesis and King Crimson, is undoubtedly France's most important prog band. Marrying prog rock influences with French folk and theatrical vocals à la Jacques Brel This band is more than highly recommended, it is mandatory listening for fans of theatrical symphonic progressive rock, especially the period between « Caricatures » and « Guet-Apens ». Ange is often compared to Genesis but when I hear the first bars of Biafra, I would go a bit further back in time to Van Der Graaf's atmospheres of their sophomore effort: dark, brooding and theatrical. The tempo steps up a notch when the guitars kick in. Powerful instrumental. Not only their lyrics are French, also their musical roots are. You will surely hear echoes of King Crimson and Genesis in this music because those are the influences you're likely to know well. But at the heart they sing French chanson, be it extended to proggy lengths. La Dignité is an excellent example of that, with a Christian Dechamps that sounds very confident on the vocals and proves he's a worthy French incarnation of the Hammill / Gabriel type of theatrical vocals. Le Soir du Diable is a wonderful little dreamy-dark ballad. Often overlooked, this debut is my preferred Ange album and one of my favourites of the symphonic prog sub-genre. Remastered 1995 [color=#FF0000]1 Biafra 80 "Introduction" 2:57 2 Tels Quels 6:56 3 Dignité 9:35 4 Le Soir Du Diable 4:41 5 Caricatures 13:44 6 Biafra 80 "Final" 2:22[/color] mp3 320
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